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Finally the occupant told Schirmer that he was not to remember
the inside of the ship. He concluded :
YOU WILL NOT SPEAK WISELY ABOUT THIS
NIGHT. WE WILL RETURN TO SEE YOU TWO
MORE TIMES.
And at one point, in a hauntingly beautiful moment, one
of the men took Schirmer to the large window of the ship,
pointed to the deserted landscape around them and said
gravely : 'Watchman, some day you will see the Universe !'
If the 'occupants' are so advanced, and do not want Schirmer
to speak wisely of that night, why could he remember
so much of it under hypnosis ? Have they not anticipated
this method of disclosure ? Or could it be that some parts
of the human mind are inaccessible to them ? Could it be
that their power is more limited than their actions seem to
imply ? Could it be that someone, or something, is playing
a fantastic trick on us ?
i did constance, and had a good read of it for an hour or so, it gave me an understanding of why you and others here think UFO'S and the paranormal are linked manifestations, . . .
i came away with a different opinion of Uri Geller aswell, basically i always thought he was abit of a tosser, but he bent a fork back infront of vallee in a restaurant, and twisted the shank, just by rubbing it, whilst sat at the same table, with his hands only 2/3 feet away from vallees eyes, right infront of him, a proper heavy duty restaurant fork, vallee said try as hard as he could, he could not bend his without using the edge of the table to bend the head back, and it was impossible for a man to put the twist into the thick handle part, by strength alone for any man, valley says he just stroked it, and it twisted, i dont for one minute think vallee imagined it, as he was the instigator, i dont see how the fork was anything other than a restaurant fork, the same type vallee himself tried to bend and twist by brute force.
he says that was the momment he knew he had something special and started to take him seriously, he also believed Gellers gift's were spasmodic, hence why he had to cheat some time's, because for Geller it was all about the money.